SIMON HOWARD

Poems For Translation

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BLOOD ROAD


We march along
through endless darkness
into darkness

We tread the over-trodden certainty
that makes
Blood Road

Birdsong frames our lonely marching song
as we trudge on on on
and on
laughing
into darkness

We go crying
into darkness


The darkness almost comforts us
enfolds
confuses us

It covers us
and waits for us
like patient parents
waiting

It never lets us down
won’t leave us un-caressed


Darkness loves us
seduces us
preparing us and
raping us


Blood Road
to Buchenwald


Along this road we know our way
The way from darkness
into terrifying darkness

Along Blood Road we have a certainty

Along Blood Road we laugh
and cry

Beyond Blood Road we know
we’ll die



         ***
 
 
 

A DYING CHILD

 

I have no idea what sex

this infant is

and cannot believe

it will live beyond

today

The face is older than any

I have seen

its suffering

immense

 

The hollows of these tiny

temples

are deeper

than the dips

behind its knees

 

The head has just enough skin

to make dry folds like

pleats and ripples

round the mouth

a silent

fading

scream

 

The thigh is no broader than my

thumb

and the hair is thinner than a

middle-aged

man’s

 

These eyes seem older than this

jaded building in Calcutta

too tired

unlike the other orphans’

for crying

They tell me that my presence is

no comfort

and probably the cause of more

distress

 

Outside, the town has gone mad

for Holi

The streets are filled with ghostly

dyed faces

full of revenge

and happiness

examples of living

human

faults

 

This is not a child but

an old

exhausted

thing

It’s a being of at least a

hundred

maybe more

 

To witness its condition is the

ultimate test

and takes me

far beyond

far, far beyond

agnosticism

 

          ***

 

 

LOVERS

 

Down there

by the sad ruins

a pair of lovers

are calling out

their careless joy

 

Even in the newer

mediaeval

part of town

above

the oldest lived-in

quarter

their laughter can be

heard

 

Along the white

winding alleyways

beyond closed doors

where grey women hide

from shadows

which might fall

across their tired

old frames

corrupting and

condemning them

 

The two proclaim their

lovers’ joy

from the unwhitewashed

ruins

below

whose stones confirm

a sadness which

cannot contain these

reckless

lovers

 

Above, the whitewash covers

streets and secrets

but not the echoes of this

shared and strident

joy

 

‘O!’ they call in

Puglian style

an exclamation of

the South

From the sad ruins it

rises

from the core to the

whitewashed town

above

 

To be heard

for certain

on both sides of the

bolted

doors

 

            ***

 

 

AN EVIL FUTURE

 

Standing beside you

at the grilles

I watch the excitement

in your eyes

as you contemplate

the bustle of Calcutta’s

streets below

 

One year old, your home

the orphanage, your young mother

died giving birth to you

Your father couldn’t cope

he placed you with the nuns

and so the first year

of your life is spent

inside this room

a haven

on the second floor

above, but not beyond

the sound of city

commotion

 

Your sad future

once your father

takes you home

to his stretch of

pavement

is to become a tiny part of

Calcutta’s relentless

throb

 

An evil future, conception of

a cynical God whose cruellest

joke  was

you

and the excitement in

your eyes

 

An excitement best felt from

the  safe side of

the grilles

 

           ***

 

 
 

AFTER THE TROJAN WAR

 

Who had the imagination

to imagine

the Trojan War

before it happened?

What martial precedent

was there for a war

like

that?

 

Whoever thought of the

Black Death

before it struck?

Was there anything

in literature

or painting

to prepare the unsuspecting

mediaeval mind

for

that?

 

Just how great had wars been

before the Great War

to end all wars?

What writing predicted its scale?

Had Tolstoy thought

of

that?

 

And who on earth

could

ever

have conceived of anything

resembling

the Holocaust?

No drugs, nor even

Shakespeare’s mind

No visionary in history

had dreamt

of

that

 

And we, a generation

of people who imagine

everything

and like the certainty of

our predictions

must ask ourselves

the terrifying question:

 

What unimagined horror

waits

for

us?

 

             ***

 

 

THE BOTTLE

 

You smiled to me at sunset

on the beach near Puri

where turtles come to hatch

their young

and often

die

 

Disjointedly you asked me

in your damaged speech if I

would let you have my empty

plastic water bottle now

that it was valueless to me

 

Touched, and anxious to oblige

so fearful that other people might

not be kind enough to you

I handed you the useless thing

And you, poor damaged child

seemed equally touched

till I grew scared that I had

cheated you

 

But in that moment I also knew

that I was handing you my life

because by tomorrow morning

this discarded bottle

will be full of lethal water

which I might buy

at noon

 

If you’re lucky you may receive

one rupee from the man

who fills up all procured

or wasted

plastic bottles

from an illicit

village tap

and sells them to tourists

for twelve

 

In gratitude you give me

beach shells

nothing special yet

close to tears

I realise

as I look into your

sweet

disfigured

eager

smiling face

and at these simple shells

that you are handing me

the payment for

my death

 

          ***

 

 

THE DROWNED MAN

 

The drowned man

looked drowned

His father had drowned

before him

 

The drowned man had a

drowned look

though he was still alive

 

The drowned man’s father

had drowned to death

but the drowned man

sadly survived

and merely looked drowned

and desperate

 

And desperate the drowned

man was

as his drowned dead father

had been before him

 

But the drowned man could

only drown

and look surprised that he was

still alive

the drowned man

and sad to be

alive

the drowned man

 

Surprised and sad

drowned

alive

drowned

and sad

 

The poor drowned man

whose drowned father

died

 

          ***

 

 

BOY IN A WET SUIT

 

The boy in a black wet suit

looks at me

a handsome look

he’s a handsome boy

Yet at first his look

seems angry

so I’m sad

Then I recognise desire

and see it’s a  burning look

 

He’s smouldering a bit

this handsome boy

and he wants me

Underneath his wet suit

he wants me

Within its clinging darkness

his body’s telling me

he needs me

It shows the outline of desire

 

And his smouldering smile

which isn’t angry at all

offers me love instead

It holds me

that handsome smile

he doesn’t let me go

the boy in a wet suit

whether I’m embarrassed

or dismayed

 

Burning, he turns around

and with one arm undoes

the zip at his back

Slowly it descends and I

start to see the tanned

perfection of his back

I imagine the perfection

he will show me

lower down

since the wet suit cannot

conceal

the brilliance of his

shape

 

Yet the zip stops at precisely

the point his back ends

before the perfect buttocks start

the perfect arse begins

It's like the perfect cut on film

and a thousand times

more sexy than

his beautiful

perfect

nakedness

would be

 

He turns again and

lures me

to the troubling

sea

 

        ***

 

 

 
 
THE UNIVERSE
 
 
 
 
 
 
 
The universe...
 
 
 
 
 
 
.....quite a lot of it.....
 
 
 
 
 
 
...puzzles me.
 
 
 
 
 
 
     ***
 

 

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Simon Howard is represented by Cherry Mosteshar at The Oxford Editors.
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Contact Simon Howard: info@simonhowardbooks.com

© SIMON HOWARD