LIVING INSIDE
STRANGERS
‘Time, which is the author of authors...’
Francis Bacon, The Advancement of Learning
Despair
is solace to a sane man
who has sought
the epic good
the prisoner told himself.
In a world turned rancid
this further twist of agony
gives confirmation of
his life.
Or so an insane man
might reason.
A sane man is driven mad
by
injustice,
said Swift while
echoing
Socrates
and
they should know.
The
prisoner nodded to himself
and stretched his shackled feet.
For the sane man crisis
looms
in the shadows
of
events
when
the world
exhausted
by the toil
of
vigilance
no
longer watches.
As
fashion sweeps it on
to other causes
the torturer emerges
freer than before
safer and
more vicious.
Socrates knew that
and Swift knew it too.
The prisoner jangled his chains.
He makes us strangers
to ourselves, he realized.
We end up asking
who are we?
and we are
to some extent
living inside strangers.
Inside the rhythm
of an age
a kind of upswing brings
the deadliest of winters
to a close
offers light
and lends assertion to
a doubtful future
paints tomorrow in a
brighter hue and
takes the edge off things.
It gives the tramp of
men and women
that breath of hope
they feel when animals
are heard once more
bleating for their absent
parents.
Time’s their author...
It’s the pulse forebodes
the
sequent beat.
Progeniture
emerges...
Is it sane or rampant men
who have touched the steel
the eagle feels when locked
behind canary bars?
the prisoner asked.
The world bewares
and feels the force of
his conviction when
the eagle’s cage
erupts.
His
energy emerges...
Parents standing sentinel over
their children’s
past allow
re-entry
on their own
terms
only
so
the troubled adult-child
finds no trace of what’s
been left behind.
The nights of horror
unanswered screams
the dark...
the dark betrayals...
Can calmness ever come
or is it all too late?
The cynic’s hand
must sift
perhaps.
If the quest’s refused
the childhood screams
are heard forever
spiralling into and round
the void.
Perhaps forever.
And prophecy emerges...
Revolutions born of blood
make brutal parents
to a youthful hope
he thought.
Watch children’s expectations
says a voice
keep evolution spry
avoid the blood of infants
relentlessly emerging...
The wounded man
who dies
amid the concern of
strangers
dies inside the family
all streets contain
their parent, crisis
their shared blood, care.
And passion sweeps them
on...
A smiling man is tied to a post
in a field.
His smile says
I love the world
as he confronts the
firing squad
made up of other
troubled men.
A holocaust field of
fire.
Can he ever share his outcast
state?
The
leaking raft of passion
sweeps him on...
The child-fascist dreams
at supper.
The naked executioner
raises his sword
calls on his ancestors
strikes
smites
cleaves
split’s the enemy’s
skull
sends
up a visceral whipstream
and bathes in the smears of
riven cortex
the colours pink
and saffron
the feelings of the onlooker
perpetually
nauseous
the story ending in
collateral
collapse.
Eat up your meal
says a voice
in the child-fascist’s ear
as more of humanity
is devoured.
And fashion sweeps it on...
After being imprisoned for
such a time, said the prisoner
on his release
I longed to lie with another
of my species.
As I learned more about
our nuclear advancements
our wars
our loss
my past
the spots of time
the longing grew.
The years flipped past like
pages of a notebook
cartoon years
cartoon pages
spots of time
authored time
in relation to the
terrifying whole.
The fruit so ripe for picking
now
a quarter century later
the need increased.
I wanted human contact
love
warmth
someone to hold
to grip
at a time when even God
was dwarfed by man’s
inventiveness.
So...
When it was done, and she had sunk
into her slumber
I felt more desperate than ever
as if, perhaps, I were in the eye
of the mushroom.
And now
yes, now...
the weakness that I feel
the awful sense of desolation
all the light gone
even the mind’s.
I remember when the spirit
died
I
remember
a
vision of Europe
the
world
all
our history
repeated
marching
not
just of soldiers
sweeping
people on...
Cadmium and lapis of the
Middle Ages.
At last I understood their
meaning.
When
man was crushed by God
and so belonged to one huge
family
however fierce.
In this awakening
and in this kind of death
I cried the world’s tears
but they hardly knew their way
down my face.
Time’s my author.
I heard the wind scream around
the caverns of our hope
and felt the kindly
brutal ministrations
of the people I was coming
closer to
before leaving them
forever.
It was like the rebirth
of
adolescence.
Then epic silence in those
caverns
the birth of strength
carried from sea to shore
aboard a shell.
On the sand stood
malcontents
malevolents
common sensers
dark, darkened souls.
A long pause in the
long, long silence
then they advanced
a murder of crows
sweeping through me
disharmony emerging...
They make us strangers
to ourselves.
We end up asking
who are we?
and we are
to some extent
living inside strangers.
They fed me visions, and I
who had thought no freedom
worth preserving at such
appalling nuclear cost
saw Hitler in a funny hat
his finger trembling above
the terminal switch.
Whose bomb is it anyway?
said the voice. Or was
it
me
asking?
What’s
seeing?
What’s
madness, other than
awakening?
What’s poetry?
The first, the second of
several doors?
A door accidentally opened
just brushed against?
Insanity easily emerges...
And when you open the door
what’s the vision?
Christ, perhaps, all private
on His shortened Cross
deprived of public spectacle?
A closet Christ, brought
out
for
those who make demands
like Julian of Norwich
enjoying His pain because
she loved Him so much.
Obscene, really, reliving it on
such a small scale
like masturbation
or keeping a neutron bomb
in the bathroom
propped against the sink
at night.
That’s when they’ll come, of course
as mushrooms crouching
in the night
just when you think they’ve
gone
like
panthers on the stairs
and ruffians returned from
human travel
the world between the cracks
Hitlers in their funny hats
fists above the trigger
swept along by fashion’s
needs...
They make us strangers
to ourselves.
We end up asking
who are we?
and we are
to some extent
living inside strangers.
The leaking raft of passion
swept him on
along the river full of
crocodiles
bilharzia
and poison
as it rushed, upturned
towards the waterfall
whose rocks below
were sharpened by the fall
of other vessels.
Trouble, he acknowledged
lies in store for one who
cannot swim.
Even then he saw his
ropes were loose and his
water-wings had burst.
And panic soon emerges...
Christmas Eve brings gutter-rolling
madness to the town
and with it comes the end of
civilized provincialism.
The world is drunk
and every corner knows
a lurking menace while
in this part of Christendom
come revelations.
Who could have guessed
those
supermarket
check-out girls
so
sweet
so
nice
such
husband-bait
were
really dykes
about
to ring another’s till
their freedom now emerging...
Never let the painter
in
the
prisoner said.
He’d
like to be time’s author.
You let another painter in
the one who wore a funny hat.
He made you strangers
to yourselves.
When searching for a language
said one girl
to describe the hollow
in my soul
– she used this kind of speech
before she’d rung
the other’s till
because she’d like to be
an author –
I listen for a rhythm that transforms
the cave’s austerity
into
a
recognizable pulse
requiring answers
from the troubled
darkened wood.
Her friend took a mighty swig
of rum and contemplated
anger.
When silence greets my hungry search
I tap out music on
a crystal tumbler as it
travels to my lips.
It creates a journey out
of
drinking
Chardonnay
a
safari of my food
an
excursion of the fork.
The pacing waiter is forestalled.
Let the meal begin again
let the meat and fish be fresh
let the gourmand have his day.
Most of all, allow the
management
to pay.
Two bed-lubbed lovers
male and female
like whales beneath the surface
writhe
nudge
collide
amid the sheets and blankets
which protect them from
the scrutiny of sailors
during this strangest belly-dance
the seas have ever seen.
Scrutable, she lays naked
on a chequered cloth
stretching once lean, tight
flanks grown blubbery
moaning
yelling
writhing
as only she is able
across the marmalade and
paw-paw
thinking
of the East
while
she screws upon the table.
Then, swept along by passion
her ecstasy emerges...
She’s become a
stranger
to
herself.
She
ends up asking
what
am I?
and
she does
to
some extent
live
inside the dreams
of
troubled men.
Where did my optimism go?
she asked.
It used to be my author.
I was young
I was keen
I was passionate
I was trusting
What made me think it all
madness?
Was
it country
was
it friends
was
it school
was
it my lover?
Yes,
my lover made me.
It
was my lover made me...
I was borne along by wings of hope.
Why, on landing, was I raped?
Because I loved believing.
These thoughts, I must admit
twist me inside out.
I’ve heard, somewhere, of
sable corridors
but I don’t know
what they are
and
words which mean
astonishment
and hope.
What should I call you,
then?
Let’s
choose something more private
more personal
much more wonderful
than God.
What’s good enough for you
my stranger guide
my time-erupter
my permitted fruit?
Something to describe how you are there
on stillborn days as well
as ripe.
Please tell me what to
call you.
Astonish
me...
I end up asking
who am I?
and do
to some extent
live inside your
strangeness.
Birds which cluster on five telephone wires
Arrange themselves like careful, upturned
Crotchets and, as they
quiver
Herald
the birth of flight to come.
I looked, she said, for
words
to
cover
bafflement
as I approached
the greedy precipice
knowing swallows were as
dangerous
to me
as
hawks.
I
wait for death...
To
you, my ex-lover
I
bequeath ill-will.
May you rot
may you flounder
may you sink
and may you drown
may you slip into oblivion
pursued by menace
chased by malice.
I bid you all the worst
I wish you hurt
I am quite prepared to
lick
your cuts
with
a septic tongue
to
lose myself in your wounds’
crevasse.
May it widen, may it
stretch...
The stream runs purple
with a
Saviour’s
blood
observed
the prisoner
and
even I
a
non-believer
am
shocked as this
loosely
spilt blood
distils
on rocks of
chiselled
hope.
It
is one type of ambiguity.
It sweeps along.
Its significance emerges...
Don’t you know,
sang
the
supermarket girl
that
I see things
through
your eyes
feel
things with
your
hands
taste
life in
your
joy?
Yesterday
I saw foxes dancing
on the lawn.
Sweeping
sweeping
come in from the
wilderness...
I’ll love you
for the intensity
you
brought me to.
You
brought to me.
You
rearranged the days.
I’m grateful for the love of time
you gave me
in the sun.
Sweeping, sweeping, they danced
on frosted earth
consumed by passion
of the wild.
Her friend replied, while drinking heavily
her double rum.
How I loathe the feebleness
the lack of energy
the uncommitment
of people who pretend they’re
working from within to
bring
the
structures down
when
all they do is
prop
them up
and
irritate me
and
lazy talkers who refuse to
tear apart the fabric
explode the filthy realm
demolish the now
and glut their ire
their reticence emerging...
They’re all strangers
to
me now.
To
some extent
they
want to live inside
me.
My inner strength of
malt
and
cane
and
pill
and
herb
the authors of my life.
Flesh and bone
within the frame
tight-bowelled
tight-arsed
tightened with delight
magnificently firm
filled
bursting at the brim.
Like spermflood, said the voice
as she continued drinking.
Stalker of your dreams
author of your times.
None of you is safe
I can enter anywhere.
I wear a funny hat.
Anywhere.
Anyone.
Any way...
You’ve no longer
peace
and
certainly no sanctity
no sanctuary.
I can put pleasure
in your rectal tube
and make you smile
with shame.
I have insinuated myself everywhere
and I am truly mighty.
Truly.
Who’s safe when I’m about?
And I always am
will be
and, parents testify
always was and have been.
Come, I’ll make you
strangers
to
yourselves...
Four Oriental boys play
beneath the window
inscrutable as cowboys
spacemen
Indians.
Fat, they waddle round
the courtyard
making flapping noises
with their jowls
implying death
to one another.
All day long they waddle
flapping death at one another
playing
flapping death
at one another
with their floppy jowls.
A fifth is lean and cautious
and moves a careful foot
towards the gate.
They’d make a sacrifice of him
but already he has learned
the need
to
dominate.
He
wears a funny hat
his
influence emerging...
He must, to some extent
live inside
them.
When, torn by accusations
thought his frightened
friend
who
hid behind the gate
I was abandoned
in the night
and thought of all the terrors
I had known before we met
on wasteland
in sable corridors
- whatever they are -
the horrors in the streets
the pain
the memory
the savagery
only checked by visions
of
your
goodness.
I
lived, to some extent
inside you.
You were the author of my heart.
Then you embraced me
and I knew how
swept by passion
Jesus felt
when kissed
by Judas
his significance emerging...
I cannot stand, the prisoner
thought
the stillness of the night
when people leave
no trace
when I’m protected from
their needs
hidden from their deeds
and sheltered from
their awful love
of fashion.
I used to rush headlong
into the nightmare of
the days.
The sacrifice emerges...
When the prisoner died his
autumn death
newborn pups lolloped round
his once-shackled feet.
His eyes had begun their
sleep
and
found no joy in renewal of
another species.
My love is nothing like the sun
he murmured
unless it be eclipsed.
But, of course, it would be
if I closed my eyes and
kissed your lips.
And so the sinking, dying
raft
of
passion
swept
him on...
The torturer emerges
safer than before
redeemed by fashion.
He makes us strangers
to ourselves.
We end up asking
who are we?
and we are
to some extent
living inside the memories
of strangers.
How will the Martians be?
asked the prisoner’s
child.
Will
they be scientists
damning art?
Will they say that Beethoven’s music
broadcast over space
by astronauts
is unenlightened
has no feeling
and is dull?
Will they say
Inattentive
could do better
what a shame he stopped at nine
before he’d really started
his potential just emerging...?
How will the Martians be
how will the Martians be
will we stop at World War
Three?
Finally, as Auden said
there must be love.
When the world has roared
her children raged
torn their clothes and
passions
into tatters
and
wondered who they are...
Then, finally, they know
there must be love
to sweep them on
to help their confidence
emerge
and
teach them that they really are
no longer strangers
to themselves.
***
IN AN ENGLISH TOPIARY
A green bear dances with a
tall sombrero in the
sculpted garden
while a wedding cake is nuzzled
by a bird which never
flies
Beyond, a pyramid is scrutinised
by a stunted peacock and a
sheltered helter-skelter
and around an archway
can be seen an illustration
of how yew gives way to
box
Wherever mutual germination plays
the box takes over...
It was here in the topiary
boxed in, taken over
between the peacock
and the bear
playing and germinating
with mutual satisfaction
that I gave way to you
And never flew again...
***
HIGH C
Above the rotting, long
forgotten victim
flies a bird
as distant as
the perfect singing
of the perfect note
This is a glimpse of heaven
a reminder to mankind
of nature’s brutal poetry
and a shard of cynicism
found in God
Who, events like this proclaim
has been created in the image
of mankind
***
HOUSE OF GOD
A view of contemporary Catholic architecture
The new cathedral, pointing
skywards
is
embalmed in
filtered
light
the building
atrophied
before
completion date
all
soulless
all grey
Confessionals
with garage doors
admit a tiny ray of censored sun
which throws accusatory
focus on the guilty sinners
while, through the grilles
the fathers sit in
masturbatory gloom
The
stations, all fourteen of them
convey
The Scream of Munch
One
wonders what they’d make of
hope through
resurrection
It’s
a Catholic myth that God
refuses
to dwell only in His
Protestant
churches
***
DILDOS AND BRINE
Above one exhibition
next floor up
pink dildos float in brine
viewed through TV screens
which balance delicately
on the surface of the
sealed-up brine
Around the room are scattered
chairs and tables
also pink
The theme of this,
the second exhibition
is ‘art in relation to
consumerism’
When
I ask his opinion
my
companion
a military
man, says
‘Sorry,
I thought that was the
canteen
Weren’t those dildos
rainbow trout?
I’m an awful Philistine
you know’
There is, it seems to me
a breed of artist who must
convince the consumer he’s
a Philistine
the consumer, that is
so the consumer
shamefaced
might continue to
consume
In England, art and guilt
go hand in hand
like tables and chairs
and dildos and brine
***
PANTHERS
IN THE ROOM
Panthers occupy the room
With eyes of fire
they mesmerize the virgins
at their sides
lick their moist lips
amid secreted threats
and gently sink a claw
in plastic, vinyl or companions’
thighs
A foul stench of desire exhales from
deep inside one paunch
fierce loins stirring with appetite
tremble, sending ripples through
her skirt, and terror...
a twist inside his mighty haunch
a momentary manoeuvre
he’s positioning himself
for he’ll have her blood
tonight
The
panther crawls along a mountain ledge
and waits
He
sees the ibex sipping at the pool
Softly twitching, she’s listening
Her nerves are stretched
Her ears, which jerk from side to side
and back and forth
discover nothing in the dark
The panther, lustful, skulks
Another tremble, and the ibex
springs her head to strain an ear
still further
A surge of monumental strength
The panther’s muscles are released
A brutal rustle in the night gives
dreadful note of death
A rush, a heave, propulsion
from the loins
a scream
Her throat is torn like soft young
hands
dragged across
a jagged tin
Her life
excreted, the ibex drops
A shudder for the gods, and she is
taken up...
***